I had an old upright piano that i rarely played (i'm a bass player/audio tech). I used a felt mallet to strike the piano wires from the bottom of the piano. Enjoy!. .
A violin bow scraped back and forth on various parts of the neck of my acoustic bass with a little bit of reverb and compression applied, several samples to choose from, and a bit at the end that sounds kind of like a big monster snarling. Recorded with a blue yeti blackout.
A taunted dark drone atmosphere, spooky string resonations with a disjointed piano in the background. A tense sound, perhaps for a scene of reflection or a disturbing discovery. Flickering black and white images. Created in ableton live.
Recorded my 30" chau gong in the local church. It's tuned to ~91hz (around f/f#2). 4 mic setup:. Large d condensers for l/r channels (2)d112 for bass (1)røde ntg2 environment (2).
A subbass sine wave with a slow throb volume envelope and some panning action, designed to work well as a loop or a sample. Created with ableton and audacity.
T r a i l e r p a c k available on: https://sonniss. Com/sound-effects/trailer-pack/. More sounds? : https://audiojungle. Net/user/wakerone. Https://soundcloud. Com/wakeronehttps://www. Instagram. Com/wakerone_/.
Needs to be faded in, but otherwise it should properly loop. Created using cubase and retrologue 2. A simple patch exploring the vsti's multi oscillators. Two oscillators plus a bit of semi-random filter modulation.
Free to use without restricition. No attribution required. 50 seconds of ghostly wails over a dark sub bass drone with wide stereo reverb. Produced by using two old school analog synths, a cs-80 and a dx7. All chorus, phaser and reverb settings were manipulated within the synths. An external hi-pass eq plugin was added in order to cut off the subs at 30hz. These old analog synths produce frequencies way below the tolerance of your monitors; thus the need for a bass cutoff, not to mention to also prevent involuntary bowel leakage xd.
This is a recording of very low frequency hum of a steel mill. The sample has been low pass filtered. The main frequency is about at 25hz. The sound was recorded some distance away of the steel mill area, where it mixed with other sounds as a constant hum, which could be felt in body too at certain spots.
What it would sound like if the power generator of a starship cruiser was vocoded through a human woman saying "ahhhhhhhhh" continuously. 4 different power levels / variations in the same. Wav. 24 bit48khz.
Snippets from recordings of me playing the tanpura. Tuned to c sharp, the notes from top to bottom are g sharp, a sharp, c sharp, low c sharp. In traditional indian tuning the c sharp is the root note (first note in the scale) and referred to as sa. The fifth note (g sharp in this scale) is referred to as pa and the sixth note (a sharp) is dha. The pack contains recordings of the more traditional pa-sa-sa-sa type rythmns, as well as some experimenting with short bass lines, riffs and slap bass drones!. Before you say "a tanpura should not be played in such a way" please be comforted by the fact that this is not a traditional tanpura (and will never sound or be able to be played exactly like a traditional tanpura) it is part of the swar sangam, which combines the four drone strings of the tanpura with 15 harp strings. I am only playing the tanpura part in these recordings.
Another very old production, i think this one's from around 2009 even!. Using the reverb of a chord i made on my guitar i created a drone-y, washed out sound. Added some subtle bitcrushed drums, cymbals and a vst synthesizer plays some notes to fill it out a bit, and a dark brooding bass-like instrument pulls up near the end of the track.
Contact mic recording of a large folding clothes hanger/dryer. Tapped on the stems for hanging clothes to create some weird drone/percussion hits. Recorded with a lom geofon contact microphone into a sony pcm-a10 handheld recorder.
Low rumble using interface noise neural dsp gojira, acustica coffepun and heavy filtering. I also added a high-passed filtered mid-side version for the stereo image.
2 lengths of 3 different pitches of this low cinematic squelch bass. Played once with a large reverb and again played dry with no fx. This sound is modeled after the inception movie's large horn blast. It is a low multi-voiced saw wave with a specific ring modulation setting to give it it's effect. This sound is rendered as a 44100 sample rate 16 bit wav file. Made with native instrument's massive inside ableton live 9.
Same patch as in electronic minute no 226 and 227 but on my real modular. I'm using a filter. Thats why i call this version subtractive. I'm subtracting harmonics from a square wave. Why are 226 blue? probably because i did it at work. . . Listening in bad earbuds. Makes you rise the bass. Lets see if i can make this wave ble at the end! i will slowly fade out the vco with high pitch. At the very end i'm switching the synth off.
As usual. . A triple osc was used. I played with the different possibilities. . . Sine, triangle, saw, square waves were used here. It may cause damage on high volume (maybe?). Effects: phaser, reverb. After recording, the entire soundshape was inverted.
